美国艺术家，教育家Robert Henri说过，艺术学校应该是一个城市的生活中心，应该从中散发出各种思想。AIP正是这样一个中心，它建立了一个适合中国人的，国际化的，沉浸式的艺术学习环境，向社会不断的注入新生的力量。
延长线
延长线始于一点，而终于无限。AIP是一个起点，学生在这里自由生长，探索着自己的位置，最终找到方向，走向世界各地。无数AIP的学子从这里出发，无数条延长线延展出去，交织出一个丰富的，多维度的广阔世界。在这个过程中，无论是学习者还是教育者，双方都在这个过程中获得了对生活，生命和未来的新的思考与认知。
“你的作品表达了什么？”这是艺术创作者常常被问到的问题，但语言和文字的解释有时候是单薄的。当观者置身于艺术设计作品之中，内心被作品的形式，材料，功能等勾起的愉悦，悲伤等情绪，或是产生的联想与反思，便是作者与观者进行的精神对话，不需要语言。在今天的时代，这群十七八岁的孩子尽管表面上肆意而张狂，孤傲而自我，但他们内心敏感的情绪，深藏的话语，对他人的关爱，对社会与自然的尊敬与善意，都通过艺术与设计的方式得以释放、延伸。
DESCRIPTION|作品陈述
此次展览共分为12个区域，其中每个专业方向都有独立的展示区域，包含了服装设计、珠宝设计、建筑空间设计、产品设计、交互设计、纯艺术设计、平面设计、动画、插画、专业等在内的100多件作品。
NO.1 陈珂怡《暴力美学》服装
在当今社会中，杀人犯被世界排挤，逃亡一生。他们宁愿孤独地实现美学，用污秽的手段储存美，让它永远绽放着。在另一个世界中，杀人同样犯执行自己的美学，疯狂沉迷在自己的世界中，穷其一生用极端艺术行为来探寻存在的意义，他们是否会是被世人所接受的艺术家？
In the world where we currently exist,the murderer is cast aside by the world and is a fugitive.They would rather realize the beauty in loneliness,and store beauty in filth to make it blossom forever.Perhaps they are beyond the times and are not followed.Perhaps in another world,murderers are also performing their aesthetics,madly indulging in their world,spending their entire lives using extreme artistic performances to explore the meaning of existence,would they be regarded as artists and accepted by that world?
NO.2 杨非凡《The law of whale fall》动画
《The law of whale fall》灵感来源于一个关于鲸鱼死亡的纪录片，想用鲸鱼去表达死亡不是一个终点的概念。
"The law of whale fall"was inspired by a documentary about the death of whales,and wanted to use whales to express the notion that death is not an end.
NO.3 黄栎《代谢》室内
我进行了新陈代谢的研究，我发现我对"城市"和"生活"的新陈代谢感兴趣，随着时代的变迁，城市中的建筑从新到废，不断影响着居民的生活环境和行为习惯。
I think these neglected and abandoned things are irreplaceable parts.They witness the past of the city and influence the present of the city everywhere.I conducted research of metabolism，I found I was interested in The metabolism of"city"and"life",with the change of times,the buildings in cities have changed from new to ruins,it constantly affecting the living environment and behavioral habits of residents.
NO.4 黄妙盈《线》纯艺
在一段关系中所存在的问题与隔阂可能双方有所意识，但是大多数人宁愿选择逃避或者维持现状也不愿去面对与改变。这个作品是我两个阶段对于关系的认知，第一阶段反映的是我与我母亲的关系，这段关系一直是我不愿去面对的，也是一直以来背负的压力来源。第二阶段是我对于几代人之间关系的认知，也许一代人与另一代人的关系中隐藏的部分就是一段关系中的“空白页”，我不再尝试去揭开这些空白页，保留或许是维持这段关系最好的方式。
There are problems and gaps in a relationship that both parties may be aware of,but most people prefer to run away from or maintain the status quo rather than face and change.This work is my cognition of relationship in two stages.The first stage reflects my relationship with my mother.The second stage is my cognition of the relationship between generations.Perhaps the hidden part of the relationship between one generation and another generation is the"blank page"in the relationship.I don't try to uncover these blank pages anymore,and preserving the relationship may be the best way to maintain the relationship.
NO.5朱怡宣《小孩救赎院》交互/视觉传达
我通过学校宣传册、入学考试试卷和学生作业的这些部分构成了一个虚拟的学校系统，偷工减料的信息隐约透露出暴力的存在，霸王条款和那些无脑的抄写作业，反映了学校的病态，而这只是学校的问题吗？
I have composed a virtual school system through these parts of school brochures,entrance exam papers and student assignments.The jerry-built information vaguely reveals the presence of violence,bullying and those mindless copied assignments that reflect the sickness of the school,and is it only the school's problem?.
NO.6卢荟朵《拟态交流》珠宝
这个项目的目的是让社交恐惧症人群在社交中更加安全。我之所以想做这样的首饰，是因为我在调查和问卷中发现，社交恐惧症也有社交需求。就人们的社会需求而言，我用我的设计来鼓励这些人找到自己舒适的社交方式，同时提醒人们在与社交恐惧症患者交流时要表现出更多的善意。该项目的最后呈现是一系列带有镜子和缝隙的设计。
The concept of my project is to make social phobia more secure in social contact.I want to make such jewellery because I found in the survey and questionnaire that social phobia also has social needs.In terms of people's social needs,I use my design to encourage these people to fifind their own comfortable ways of social contact,and at the same time,to remind people to show more kindness when communicating with people with social phobia.The fifinal presentation of the project is a series of designs with mirrors and gaps.
中国美术学院附中AIP诚邀每位同学，家长以及对艺术感兴趣的朋友们莅临参加本次毕业展暨高三毕业典礼，让我们一起见证AIP学子的艺术力量！
